Scholars such as Julia Kuehn and Stephen Keck have identified Edwards’s “anti-tourist” attitude in A Thousand Miles up the Nile directed toward British tourists who destroy antiquities and commodify the Egyptian landscape. The ghost stories I will survey pre-date her trip to Egypt and typically feature Englishmen touring Continental Europe and forming close homosocial bonds with other men. Several critics have written about Edwards’s travel narratives, particularly A Thousand Miles up the Nile, but no one has examined how her ghost stories blend the conventions of travel writing and supernatural fiction. However, her most famous travel narrative, entitled A Thousand Miles Up the Nile (1877), chronicles the expedition she took to Egypt in 1873 with her traveling companion, Lucy Renshaw. Edwards wrote an account of her trip through the Dolomites, a mountain range in northeastern Italy, called Untrodden Peaks and Unfrequented Valleys (1873). Bentham-Edwards was Edwards’s first cousin who became well-known for her travel writings about France (Moon More Usefully Employed 27-29). Edwards and North developed a close friendship after they first met in 1870, though North’s frequent travels meant they rarely saw each other in person (Moon More Usefully Employed 76-79). She journeyed throughout Europe in her mid-twenties and was friends with other notable female travel writers, such as Marianne North and Matilda Bentham-Edwards. As a Victorian woman, Amelia Edwards crossed gender, genre, and geographic boundaries by working as a popular journalist and novelist who traveled extensively across the world and became a pioneering Egyptologist.
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